Content planning
A monthly session setting themes, hooks, offers and the shoot list, in Malayalam and English.
Reels, shorts and vertical video produced in volume, cut for the platform and the language each audience actually watches in. Short-form rewards volume and consistency, which is exactly what a brand cannot sustain when every clip is treated as a production. One well-planned shoot day can produce a month of short-form. The constraint is planning, not filming.
OUR CAPABILITIES IN
Short-Form & Social Content
We audit your current systems, marketing, and funnels.
We architect a custom strategy bridging your exact gaps.
We deploy the tech, content, and pipelines required.
We seamlessly roll out the solution with zero downtime.
We track every metric to ensure it meets our strict KPIs.
We optimize the winning channels to compound your returns.
Short-form video for Kerala brands: Instagram Reels, YouTube Shorts and vertical video produced in volume, in Malayalam and English, cut for the platform and the language each audience actually watches in. Kerala has one of the highest smartphone and social media penetrations in India, and Malayalam short-form is a culture of its own, with a humour and a rhythm that national playbooks miss.
The problem is not making one Reel. It is making twenty a month, consistently, in both languages, without treating each as a production. The answer is planning: one well-run shoot day produces a month of content when the setups, scripts, wardrobe and locations are decided in advance, and the editing is done for each platform rather than once for all of them.
We run monthly shoot days across Kerala for jewellery and retail, restaurants and resorts, hospitals and clinics, real estate, education and corporate brands, and hand over a scheduled calendar of captioned, platform-cut clips with the performance of this month deciding the next.
Malayalam is written first for consumer brands because it outperforms, and English first for B2B and diaspora audiences, with both tested rather than assumed.
A monthly session setting themes, hooks, offers and the shoot list, in Malayalam and English.
Planned setups producing 15 to 25 finished clips, with presenters, creators or your own team on camera, anywhere in Kerala.
Vertical cuts with hooks, captions and pacing built for Reels, Shorts and each platform, not one edit cropped four ways.
Open captions in Malayalam and English, because most feed video is watched muted.
Kerala creators matched to the brand on audience fit, with deliverables and tracking agreed.
A month of content approved in one pass and scheduled.
The strongest clips cut to ad specification for the agency team to run.
What reached, saved and produced enquiries, feeding the next shoot.
| Format | Typical cadence | Delivery |
|---|---|---|
| Reels and Shorts | 12 to 20 per month | 9:16 with open captions |
| Stories | Daily | Native formats with stickers and links |
| YouTube long-form cutdowns | Where the brand publishes long-form | Clips from every episode |
| Creator content | 1 to 4 collaborations per month | Usage rights agreed |
| Paid cutdowns | From the top performers | 6, 15 and 30 second versions |
Product, offer and behind-the-showroom content that drives Onam, Vishu and wedding season demand.
Venues where a Reel decides who books on a Saturday.
Doctor-led educational content that builds trust within NMC rules.
Developers building an audience of Kerala and NRI buyers with project and locality content.
Schools, colleges and coaching institutes whose admissions depend on parents and students on Instagram.
Thought leadership in Malayalam and English without consuming a day a week.
Planning, a shoot day, editing, captions and a scheduled calendar each month.
Shoot days and editing for an in-house team that runs its own channels.
A concentrated production for Onam, a launch or a season, delivered as a set.
Malayalam social media is a culture of its own: a particular humour, a taste for wordplay, a comment section that rewards wit and punishes pretension, and creators who command loyalty a brand cannot buy. Content that works elsewhere in India often lands flat here, and content that works in Kochi may not work in Malappuram. Brands that understand this build audiences. Brands that import a national playbook post into silence.
Our content is written by people who live in that culture, adjusted by district, and tested rather than assumed. The reporting shows what each language and each region produces.
Malayalam scripts by native speakers who understand the humour.
Tone adjusted for Malabar, central and southern audiences.
Kerala creators chosen for audience match, not follower count.
Ideas tested across languages and regions with the numbers deciding.
A shoot day works when everything is decided before it: the twenty ideas, the scripts, the locations, the wardrobe, the props, the presenter and the order of setups. It fails when the day starts with a discussion. We plan the day in the monthly session, arrive with a shot list, and leave with the raw material for the whole month. For multi-branch brands the shoot rotates across locations so every district sees itself.
Editing follows for each platform, captions are written natively in both languages, and the calendar is approved in one pass. The performance data from this month sets the plan for the next.
Every idea scripted and scheduled before the day.
Your team, our presenters or matched creators, decided by the brief.
Content shot across locations for multi-branch brands.
Performance decides the next shoot.
Every Kerala brand posts an Onam greeting. Almost none run Onam as a season: a content arc that starts in July with anticipation, builds through the shopping weeks with offers and stories, peaks on Thiruvonam and carries into the days after. The same is true of Vishu, the wedding season and, for Malabar audiences, Ramadan and Eid. Seasons are where a Kerala brand earns its audience for the year.
We plan the calendar around those arcs months ahead, shoot seasonal content in advance, and pair it with paid campaigns timed to the buying windows.
Content planned from anticipation through peak to aftermath.
Seasonal creative produced weeks before it is needed.
The strongest seasonal clips cut for ads and run by the agency team.
Ramadan and Eid planned alongside Onam and Vishu where the audience lives them.
Social content for a hospital, a school or a financial services firm is not the same as content for a cafe. Doctors are limited by NMC rules in how they may promote themselves. Education content falls under the ASCI chapter on claims about outcomes and placements. Financial promotions have their own regime. Platforms add restricted-category policies on top. A Reel that is fine for a restaurant can cost a clinic a complaint.
We keep a checklist per sector and review every piece of content against it before it goes live, so the brand builds trust without building risk.
Educational rather than promotional, within NMC and ASCI guidance.
Outcome and placement claims substantiated or left out.
Disclosures and claims handled to the applicable rules.
Restricted-category requirements met before an account is flagged.
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers India. The same service, written for the other markets:
Planned properly, 15 to 25 finished vertical clips. The number depends far more on how many setups and wardrobe changes we plan than on the hours on site.
Yes, in Malayalam and English. For most Kerala consumer brands the Malayalam version outperforms the English one, so we write it first rather than translating.
Yes. Editing existing footage into short-form is a common starting point and considerably cheaper than a new shoot. It works when the raw material has enough coverage; we will tell you honestly if it does not.
Planned properly, 15 to 25 finished vertical clips. The number depends far more on how many setups are scripted in advance than on the hours on site.
Yes, natively, by native speakers, and for most Kerala consumer brands the Malayalam versions are written first because they outperform.
Yes. Creators are matched on audience fit rather than follower count, deliverables and tracking are agreed in writing, and each collaboration is reported on what it produced.
Yes. Editing existing footage into short-form is a common starting point and considerably cheaper than a new shoot, provided the raw material has enough coverage. We will say honestly if it does not.
The Infynix Agency team does, with the strongest clips cut to ad specification and run as measured campaigns with the Conversions API and tracked WhatsApp enquiries.
Yes. The team travels across Kerala, and for multi-branch brands we rotate shoot days across locations so every district sees itself in the content.
Yes. One prepared session a month produces the month’s clips: prompts written from audience questions, an hour on camera, clips cut and captioned in both languages, scheduled and measured.
Reach, saves and profile visits as leading indicators, and enquiries, WhatsApp conversations and revenue as the measure, reported monthly and used to plan the next shoot.
Instagram Reels, YouTube Shorts, Facebook and LinkedIn, each edited for its own pacing and audience rather than one edit posted everywhere.