Photography
Product, jewellery, food, property, corporate and event photography with retouching and delivery in the sizes each channel needs.
Infynix Media produces brand films, modern UI/UX product designs, and 3D motion graphics that make your business look world-class. Outdated visuals and generic designs dilute trust and make it hard to stand out. Clean design and visual media build instant credibility and keep customers engaged.
OUR CAPABILITIES IN
Infynix Media
We audit your current systems, marketing, and funnels.
We architect a custom strategy bridging your exact gaps.
We deploy the tech, content, and pipelines required.
We seamlessly roll out the solution with zero downtime.
We track every metric to ensure it meets our strict KPIs.
We optimize the winning channels to compound your returns.
Infynix Media is the production division of Infynix Solutions in India: photography, film, short-form, motion graphics, podcast and the post-production that turns a shoot into a year of publishing. The full catalogue runs from the Kochi office and travels across Kerala, from Trivandrum to Kasaragod, with shoots planned into the calendar the state actually lives by.
The division exists because marketing without original media is marketing with stock, and Kerala audiences recognise stock instantly. A Kochi jewellery brand, a Kozhikode restaurant, a Thrissur hospital and a Trivandrum school each need footage of their own premises, people and customers, in Malayalam and English, cut for the platforms where Malayalis actually watch.
We work with retail and jewellery brands, hospitals and clinics, real estate developers, schools and colleges, hospitality and tourism businesses, food and consumer brands and corporate firms across Kerala, and with Kerala brands selling to the Gulf diaspora who need content that reaches a family in Dubai as well as one in Ernakulam.
Every campaign the agency runs and every website the technology team builds is stronger with real media behind it, and because the three divisions share a brief, one shoot day feeds the paid creative, the organic calendar and the site at once.
Product, jewellery, food, property, corporate and event photography with retouching and delivery in the sizes each channel needs.
Concept, script, casting, locations, shoot and post for brand films, ad films and corporate video, in Malayalam and English from the same production.
Planned shoot days producing a month of Reels, Shorts and vertical video, captioned in both languages.
Explainers, product animation, titles and data visualisation with Malayalam typography handled properly.
Recording, editing, mixing and distribution for Malayalam and English brand podcasts, with video cutdowns from the same session.
Editing, colour, sound, subtitling and versioning for footage from our shoots or yours.
Crews, equipment and locations across the state, from backwaters and beaches to hill stations, planned around monsoon and festival dates.
Every asset delivered to platform specification, with source media and project files handed over.
| Deliverable | Typical timeline |
|---|---|
| Product or jewellery photography | 2 to 5 working days from shoot to delivery |
| Social content shoot day | 15 to 25 finished clips within 7 working days |
| Brand or corporate film | 4 to 8 weeks from brief to delivery |
| Motion graphics explainer | 3 to 5 weeks |
| Podcast episode | 3 to 5 working days from recording |
| Post-production only | 2 to 10 working days depending on scope |
Onam, Vishu and wedding season campaigns, catalogue photography and Reels for showrooms from MG Road to SM Street.
Doctor profiles, patient education and facility films within NMC advertising rules.
Project films, drone footage, apartment walkthroughs and NRI-facing content for launches across Kochi, Trivandrum and Kozhikode.
Campus films, admissions content and parent-facing video for schools and colleges.
Resort, houseboat and destination content for Wayanad, Munnar, Alappuzha and Kovalam that drives direct bookings.
Product films and social content for Kerala brands selling across India and to the Gulf.
A defined deliverable with a fixed scope and a set number of revision rounds, from a single shoot to a campaign.
A shoot day and a fixed block of post-production each month, with priority turnaround. Most brands publishing weekly settle here.
Concept to delivery for an Onam, Vishu or launch campaign, planned with the agency team so creative, media and landing pages ship together.
For most Kerala consumer brands the Malayalam version of a film, a Reel or a caption outperforms the English one, and translated Malayalam underperforms native Malayalam every time. The audience notices register, humour and idiom, and content that reads as translated reads as foreign. We write Malayalam first for consumer brands, English first for B2B and diaspora audiences, and we plan both languages into the shoot so the two versions are native rather than dubbed.
Voice-over is recorded by native speakers in the register the brand needs, from formal to the conversational Malayalam that short-form rewards, and titles and motion graphics are designed for Malayalam typography rather than squeezed into an English layout.
Written natively, not translated, in the register the audience uses.
Recorded by native speakers, formal or conversational as the brief needs.
Titles and animation designed for the script.
Separate cuts for Malayalam, English and diaspora audiences, planned from the shoot.
Onam is the largest commercial season of the year and the busiest production window: creative is scripted by June, shot by July and delivered by August, because the retail campaigns run for weeks before Thiruvonam. Vishu, the wedding season, school admissions and the December tourist peak each have their own production dates. The monsoon closes outdoor shoots for weeks and moves the audience online, and festival dates decide when a crew can be booked at all.
We plan the production calendar with the agency team so Onam creative is finished before the season, outdoor shoots are scheduled for the months when they can happen, and retainer clients have their peak dates held before the calendar fills.
Scripted by June, shot by July, delivered before the campaigns start.
Outdoor shoots scheduled around the rains, indoor and studio work filling the gap.
Jewellery, textile and venue content produced ahead of the peak.
Shoot days held in advance for the busiest months.
Several million Malayalis live and work in the Gulf, and they buy from Kerala: apartments, hospital treatment for parents, school places, gold for weddings, land. For hospitals, developers, schools and jewellers, the diaspora is often the highest-value audience, and it watches the same Malayalam content on the same platforms, at Gulf hours, before deciding on a visit home.
We produce with that audience in mind, and our UAE office gives us a working view of it: content that speaks to the family abroad as well as the one here, versions timed and cut for Gulf platforms, and campaigns the agency team runs into the UAE, Saudi Arabia and Qatar.
Cuts and captions that speak to the family abroad.
Content planned for where Malayalis in the Gulf actually watch.
Campaigns planned around Onam, December and summer visits.
A working view of the audience from the other side.
Every job starts with a brief that answers four questions: who is this for, where will it be seen, when does it need to exist, and what should happen after someone sees it. From that we produce a treatment or a shot list, a schedule, a location and permission plan, and a version plan, and we agree the revision rounds before anyone picks up a camera. Kerala shoots need permissions for many public locations, drone approvals where aerials are planned, and weather contingency, and pre-production is where they succeed or fail.
The shoot day runs to the plan. Post-production follows with reviews at edit, grade and final, and delivery lands in every format the brief named. Source media and project files are archived and handed over, so the next production matches this one and nothing is shot twice.
Audience, channels, deadline and outcome agreed in writing.
Permissions, locations, talent, weather contingency and version plan locked.
Edit, grade and final approved in defined rounds.
Every format delivered, source files handed over.
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers India. The same service, written for the other markets:
Yes, we handle planning, scripting, filming, editing, and final delivery.
Yes. We shoot across Kerala, most often in Ernakulam, Kozhikode, Thrissur, Trivandrum, Wayanad and Munnar, with travel and permissions planned into the production. For locations beyond a day trip from the Edappally office, travel is planned into the schedule.
Yes, and for most Kerala brands you should. Both languages are planned into the script and the shoot, with native voice-over and typography, so the two versions read as native rather than translated or dubbed.
Yes. Drone approvals, location permissions for public and heritage sites, and talent releases are handled as part of pre-production, with the paperwork on set.
Yes. Post-production on existing footage is a common starting point. We audit what exists and say honestly whether it will produce the result you want or whether a shoot is needed.
Yes. Content is planned with the diaspora audience in mind where the brand sells to it, with versions cut for Gulf platforms and campaigns run into the UAE, Saudi Arabia and Qatar by the agency team, with a working view of that audience from our UAE office.
Yes. We produce under your brand, to your guidelines, with NDAs signed before any account is discussed.
The agency team plans campaigns and media, the technology team builds the sites and systems the content lands on, and the media team produces the assets. One brief produces the film, the paid creative, the organic calendar and the website imagery.
The brief, the audience, where the content will be seen, the deadline, brand guidelines and a decision maker who can approve script, edit and grade within a few days each. Everything else is production.
Content, film and production
Brand films, photography, motion graphics and short-form social content, produced in house.