Concept and script
The idea, the story and the script in Malayalam and English, developed with the brand rather than delivered to it.
Brand films, ad films and corporate video, written and produced end to end for Kerala and national campaigns. Most corporate video explains what a company does and gives a viewer no reason to keep watching past the first ten seconds. A brand film earns attention the way any film does, through a specific story, not a list of capabilities set to music.
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Brand Films & Commercials
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We architect a custom strategy bridging your exact gaps.
We deploy the tech, content, and pipelines required.
We seamlessly roll out the solution with zero downtime.
We track every metric to ensure it meets our strict KPIs.
We optimize the winning channels to compound your returns.
Brand films, ad films and corporate video produced end to end across Kerala: concept and script, casting, locations and permissions, direction, shoot and post, delivered in Malayalam and English versions cut from the same production. For brands that need a hero film for the launch, the campaign, the website and the pitch, rather than three separate productions.
Most corporate video explains what a company does and gives the viewer no reason to keep watching past the first ten seconds. A brand film earns attention the way any film does, through a specific idea and a story, and Kerala, with the most film-literate audience in India, notices the difference between a film and a slideshow with music faster than anywhere.
We produce for jewellery and retail brands, hospitals and hospital groups, real estate developers, schools and colleges, resorts and tourism boards, food and consumer brands and corporate firms, on productions ranging from a single-location corporate film to a multi-day Onam campaign with cast, sets and aerials.
Kerala has the crews, equipment and locations of a film industry, and we draw on them: backwaters, beaches, hill stations, heritage districts and the city, with the permissions, weather planning and festival scheduling that a shoot here requires.
The idea, the story and the script in Malayalam and English, developed with the brand rather than delivered to it.
Casting, locations, permissions, drone approvals, wardrobe, props, schedule and weather contingency.
Directed production with Kerala crews, camera and lighting the film needs, anywhere in the state.
Edit, grade, sound design, music licensing, motion graphics and mix to broadcast standard.
Malayalam and English cuts with native voice-over and typography, planned from the script.
Social, paid and event versions in every ratio and duration the campaign needs.
Files to specification for television, cinema, digital out-of-home and the platforms.
Music, talent and location rights documented, and the project archived for future use.
| Production | Typical timeline |
|---|---|
| Corporate or brand film, single location | 4 to 6 weeks from brief to delivery |
| Campaign film with cast and multiple locations | 6 to 10 weeks |
| Onam or festival campaign | Scripted by June, delivered by August |
| Ad film for television or cinema | 6 to 10 weeks including approvals |
| Recruitment or campus film | 4 to 6 weeks |
Onam, Vishu and wedding season campaigns for television, cinema, digital and social.
Institutional and department films within NMC advertising rules, in Malayalam and English.
Launch films for projects sold to Kerala families and NRI buyers who will reserve on the film.
Campus and admissions films for schools, colleges and universities.
Destination and property films for resorts, houseboats and tourism bodies.
Leadership, culture, recruitment and capability films for firms across the state.
Concept to delivery on a fixed scope with agreed revision rounds at script, edit and grade.
The film produced with the agency team so media, landing pages and creative ship together.
A planned slate of films across the year, with production dates held for the seasons.
Kerala is one of the best-equipped production locations in India, with crews, equipment and studios from a working film industry and locations ranging from backwaters and beaches to hill stations, heritage districts and the city. It is also a state with a monsoon that closes outdoor shoots for weeks, festival dates that fill every crew diary, permissions required for many public and heritage locations, and drone rules that apply near airports, ports and sensitive sites.
We plan permissions, locations, casting and weather contingency into pre-production, work with crews who know the locations, and schedule around the calendar so an Onam campaign is finished before the month and an outdoor shoot is not scheduled for July.
Location and drone permissions secured in pre-production.
Backwaters, beaches, hills, heritage and city across the state.
The right crew and camera package for the film, from a film-industry bench.
Scheduled around the monsoon and the festival calendar.
A Kerala brand film that is shot in English and dubbed into Malayalam is an English film. A campaign that reaches Kerala audiences properly is planned bilingual from the script: dialogue and voice-over written in the right register, typography that respects the script, and versions cut for each audience rather than one master with subtitles added at the end. For brands selling to the Gulf diaspora, the same production produces the version that reaches the family abroad.
We plan both languages into the shoot, record voice-over natively, design titles and motion graphics for Malayalam typography, and deliver versions that read as native in each language.
Written natively, not translated, in the register the audience uses.
Recorded by native speakers, formal or conversational as the brief requires.
Titles and animation designed for the script.
Cuts for the Gulf audience from the same production.
A film that exists only as a two-minute master is a film that will be badly cropped for Instagram by someone in a hurry. We plan the versions from the script: the hero cut, the fifteen and thirty second cutdowns, the vertical versions framed deliberately, the Malayalam and English cuts, the silent version with open captions and the cinema and television deliveries. The shoot captures what each needs, and post delivers them together.
That is also why the film should be planned with the agency team. The media plan tells us which versions matter and where the film will be seen, and the landing pages and paid creative are built from the same material.
Every ratio, duration and language decided at script stage.
Framing and coverage captured with vertical and short cuts in mind.
Hero, cutdowns, verticals and language versions in one delivery.
Planned with the media and landing page teams.
Onam is the most watched advertising season in Kerala, and the films that work respect it: family, homecoming, generosity and the rhythm of the ten days, in Malayalam first. They are also produced well in advance, because by August every crew, studio and location is booked. Vishu, the wedding season, school admissions and the December tourist peak each have their own register and their own production window.
We plan seasonal films into the year with the agency team, shoot them in the months when the locations and the light allow, and deliver the versions the media plan needs before the season begins.
Tone, story and timing that fit the season, written in Malayalam first.
Scripted by June, shot by July, delivered before the campaigns start.
Vishu, weddings, admissions and December planned into the year.
Every cut the plan needs, delivered before launch.
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers India. The same service, written for the other markets:
Typically 4 to 8 weeks from brief to delivery. Scripting and approvals take longer than shooting, so the timeline is usually set by how fast decisions come back rather than production days.
Yes, and for most Kerala brands you should. We plan bilingual delivery into the shoot rather than dubbing afterwards, which is why the two versions read as native rather than translated.
Multi-location ad films with casting, sets and a full crew run considerably higher. We scope from the distribution plan, because a film for paid media needs different assets than one for a trade show.
Typically 4 to 8 weeks from brief to delivery, longer for campaign films with cast and multiple locations. Scripting, approvals and permissions take longer than shooting, so the timeline is usually set by how quickly decisions come back.
Yes, and for most Kerala brands you should. Both languages are planned into the script and the shoot, with native voice-over and typography, so the two versions read as native rather than dubbed.
Yes. Casting, talent contracts, releases and the image rights the campaign needs are handled in pre-production, drawing on Kerala’s acting and modelling talent.
Yes. Files are delivered to broadcast and cinema specification, and content is reviewed against ASCI and sector rules before it airs.
Yes. Onam films are planned months ahead with the agency team, written in Malayalam first, shot and finished before August, and delivered in every version the media plan needs.
Yes. Launch films combining location footage, aerials and rendered material, delivered with the broker and portal versions the sales network needs, for Kerala and NRI buyers.
Yes. Music licensing, talent releases, location permissions and the image rights the campaign needs are documented and handed over with the film.
The brief, the audience, where the film will be seen, the launch date, brand guidelines and a decision maker who can approve script, edit and grade within a few days each. Everything else is production.