Format and episode planning
The show concept, the format, the guest pipeline and a season plan that can actually be sustained.
Recording, editing and distribution for brand podcasts and audio series, in Malayalam and English. Most brand podcasts stop after six episodes, because nobody planned who would edit, publish and promote them. A podcast is a publishing operation, not a recording. The production schedule matters more than the microphone.
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Podcast & Audio Production
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Podcast and audio production in Kerala for brands, founders and organisations who want a series that lasts: episode planning, recording in Kochi or on location, editing, mixing, show notes written for search, distribution to the platforms and the video cutdowns that grow an audience. In Malayalam and English.
Malayalam podcasting has grown quickly, with Kerala’s literacy and its appetite for long-form conversation producing an audience that is large, engaged and underserved by quality production. Most brand podcasts still stop after six episodes, because nobody planned who would edit, publish and promote them. A podcast is a publishing operation, not a recording, and the schedule matters more than the microphone.
We produce for founders and executives, hospitals and doctors, law and financial firms, real estate and property groups, educational institutions and media brands, as a recurring programme rather than a one-off.
Every episode is recorded with video, because clips on Instagram and YouTube are how a Kerala podcast grows, and the same session produces the full episode, the vertical clips and the show notes that surface in search.
The show concept, the format, the guest pipeline and a season plan that can actually be sustained.
Studio recording in Kochi or on location across Kerala, with video captured alongside audio.
Dialogue cleanup, structure, music and a mix that sounds right on earbuds on a bus.
Bilingual shows, or separate series for each audience, produced natively.
Notes, transcripts and titles written so episodes surface in search and AI answers, not as a transcript dump.
Spotify, Apple Podcasts, YouTube, JioSaavn and the platforms your audience uses.
Vertical clips from every episode for Instagram, YouTube Shorts and LinkedIn.
Outreach, scheduling, briefing and the releases that let you publish.
| Output | Turnaround |
|---|---|
| Edited and mixed episode | 3 to 5 working days from recording |
| Show notes, transcript and titles | With the episode |
| Vertical video clips, 4 to 6 per episode | Within 5 working days |
| Full video episode for YouTube | Within 5 working days |
| Season launch package | 3 to 4 weeks from format sign-off |
A regular, considered voice in the market without consuming a day a week.
Practitioner-led health education in Malayalam within NMC rules.
Expertise demonstrated in conversation, for clients who research before they call.
Market commentary and locality content for buyers in Kerala and the Gulf.
Institutions building a public voice with faculty and alumni.
Series built to grow an audience and a sponsor base.
A planned run of episodes produced, published and promoted on a fixed schedule.
Weekly or fortnightly episodes on a retainer, with the guest pipeline managed.
Format, identity, trailer and the first episodes, for a series your team then runs.
Kerala has the highest literacy rate in India, a deep tradition of long-form conversation and debate, and a diaspora of millions who listen from the Gulf on the commute. Malayalam podcasts have grown faster than almost any regional-language format, and the platforms have followed: Spotify and JioSaavn invest in Malayalam originals, YouTube carries a large share of listening as video, and Apple Podcasts has an established Malayalam presence. A Kerala brand that publishes well in Malayalam reaches an audience that is large and underserved.
We produce Malayalam and English series natively, with hosts and guests recorded in the language they think in, and we plan bilingual shows where the audience is genuinely both.
Malayalam series produced by Malayalam-speaking producers.
Spotify, YouTube, JioSaavn and Apple weighted for the audience.
Topics and timing that reach Malayalis in the Gulf.
Shows that move between languages designed deliberately.
Audio alone does not grow an audience in Kerala. The clips do: a guest saying something sharp, cut vertical with Malayalam captions, posted to Instagram and YouTube Shorts, is what brings new listeners to the full episode. Recording video alongside audio costs little extra on the day and produces the marketing for the show. Recording audio only produces a show nobody discovers.
Every episode we produce is recorded with video, published in full on YouTube where the format suits it, and cut into four to six vertical clips with captions in the episode language.
Multi-camera in studio, or a compact setup on location.
The moments that travel, captioned and scheduled.
Where the format and the audience suit it.
What brought listeners, feeding the next episode and guest.
The failure mode is universal: a series launches with energy, the founder records three episodes, editing falls behind, guests are hard to schedule, and the show quietly stops. What prevents it is production discipline: a season plan, a guest pipeline booked weeks ahead, recording sessions batched, a fixed publishing day and a team responsible for getting each episode out.
We run the show as a publishing operation, batch recordings so the host gives up half a day a month rather than an hour a week, and keep the pipeline full so the schedule holds through Onam, exams and the monsoon.
Episodes, themes and guests mapped before launch.
Several episodes per session so the host is not recording weekly.
Outreach and scheduling handled, weeks ahead.
A schedule the audience can rely on.
Audio quality is the one thing a listener will not forgive. A brilliant conversation recorded in an echoing office with the ceiling fan running sounds amateur, and the listener leaves in the first minute. Studio recording solves it for a fixed format. Location recording, done with the right microphones, treatment and monitoring, produces better conversations for guest formats and can sound just as produced.
We record in studio in Kochi when the show suits a fixed set, and on location across Kerala with a portable kit and an engineer who treats the room before the host arrives. Post-production cleans what the room leaves behind.
A fixed set for shows that record weekly.
Portable recording with room treatment and an engineer on site.
Multi-camera in studio, compact setup on location.
Noise, room tone and levels repaired in the mix.
Infynix Solutions is registered separately in India, the United Kingdom and the United Arab Emirates. This page covers India. The same service, written for the other markets:
Not necessarily. We record on location with portable kit, which usually produces better guest conversations than a studio does. For regular series a fixed setup at your office is often the practical answer.
Yes, including Spotify, Apple Podcasts and YouTube, plus show notes written to be findable rather than as a transcript dump.
Yes, and you should. Recording video alongside audio costs little extra on the day and produces the vertical clips that do most of the work in growing a podcast audience.
Yes, natively, with Malayalam-speaking producers, and distribution weighted to the platforms Malayalam audiences use, including Spotify, YouTube and JioSaavn.
Yes. Hosting, distribution to Spotify, Apple Podcasts, YouTube, JioSaavn and the rest, show notes written for search, and the analytics that tell you what is working.
Yes. Guest outreach, scheduling, briefing and the releases that let you publish are part of an ongoing programme.
Yes, and you should. Every recording is captured with video, published in full where the format suits it and cut into vertical clips that do most of the work of growing the audience.
Yes. A portable kit with an engineer who treats the room produces studio-standard audio in most spaces, and for regular series a fixed setup at your premises is often the practical answer.
With batched recording, typically half a day a month for a fortnightly show. Planning, guests, editing, publishing and promotion are handled by the production team.
Yes, when it is run as a publishing operation. Guests chosen for audience overlap, search-ready episodes, clips that travel and consistent publishing produce enquiries and sponsor conversations, and we report on both monthly.
Three to four weeks from format sign-off to the first published episode, including identity, trailer and a bank of episodes so the schedule holds from day one.
Yes. Notes, titles and transcripts are written natively in the episode language, structured for search and for AI assistants that answer questions from podcast content.
Yes. Format, name, cover art, intro and outro, trailer and the first episodes are produced as a launch package, whether we then run the show or your team does.